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UID:201@sintlucas.luca-arts.be
DTSTART;TZID=Europe/Brussels:20190228T130000
DTEND;TZID=Europe/Brussels:20190228T140000
DTSTAMP:20190220T090107Z
URL:https://sintlucas.luca-arts.be/beeldende-kunsten/event/lunchtalks-dige
 sting-research/
SUMMARY:Lunchtalks: Digesting research
DESCRIPTION:This will be the first installment of 'Disgesting Research' - a
  series of lunchtalks where doctoral students present their artistic resea
 rch in progress.\n\nDuring the first lunchtalk\, Marina Kazakova will pres
 ent her research. In her PhD\, she examines how the basic characteristics 
 of lyric poetry can be expressed in film: (1). form\, (2). musical qualiti
 es\, (3). figurative language\, (4). non-narrative\, vertical investigatio
 n of the situation\, and (5). the first-person point of view/ a self-refle
 xive speaker.\n\nThis research places particular emphasis on the most spec
 ific and direct use of lyric poetry within film: 'a lyric film-poem'.\n\nT
 he genre of a film dictates how the film will be presented\, the cast invo
 lved\, and the overall storyline. When creating a film-poem\, the essentia
 l micro features that Marina focuses on are: editing\, mise-en-scene/setti
 ng\, sound\, cinematography\, character\, acting\nplot and narrative struc
 ture.\nTherefore\, the struggle is to analyse how the 5 unique characteris
 tic of poetry that I’ve selected are expressed in film medium.\n\nAt PhD
  Lunch\, we are going to watch three freshly made short film-poems of Mari
 na that demonstrate three different approaches to the creation of a film-p
 oem:\n\n1. Film-poem "Hot Snow I am": a collaboration with the theatre mak
 er Isadora Pei (physical theatre).\n\nIsadora Pei acted out and co-dircted
  the film-poem “Hot Snow I am”. What she does in her theatre making is
  exploring the relationship between body and visual images. Inspired by so
 me works of The Living Theatre\, influenced by Odin Teatret and Tanztheate
 r (the physical theater)\, Isadora Pei does tell a story - but not in the 
 way you would expect - she tells of experience\, reminds us of sensations 
 or feelings and plays with our own memories. It can be baffling\, transpor
 ting and profoundly touching\, sometimes without us even really knowing wh
 y. Same as Pina bausch\, she is not interested in how people move but in w
 hat moves them. Hence\, it all influenced how the poetry of Marina was vis
 ualised through the body language of Isadora Pei.\n\n2. Film-poem "The Noo
 n at Schuman": a collaboration with a documentary filmmaker Diren Agbaba.\
 nDiren was a cameraman and a co-director of ‘The Noon at Schuman”\, in
  which he tried to show the film’s story that presents the truth. Diren
 ’s input that made a difference to Marina’s filmmaking was his preoccu
 pation with persuading the audiences through logic for rational and a well
 -prepared storyboard for eliciting emotional responses.\n\n3. Film-poem 'T
 he Ropewalker: Above the Babylon of Europe": the approach of a poet-filmma
 ker Marina Kazakova\, who is primarily a literary person\, rather than a c
 inematographic one. Influenced by Eric Rohmer’s talking cinema and his s
 elf-perception of an “eternal amateur” and Aleksander Sokurov’s drea
 mlike painting-cinema\, her film-poems exist less to tell stories – alth
 ough there is usually the thread of some plot or situation – than to exp
 and a moment in time\, a sense of place or an emotion.
ATTACH;FMTTYPE=image/jpeg:https://sintlucas.luca-arts.be/beeldende-kunsten
 /wp-content/uploads/2019/02/51674636_10212997785002831_6236896450618327040
 _o.jpg
CATEGORIES:Lunchtalks
LOCATION:Auditorium 14\, Alexianenplein 1\, Gent\, 9000\, België
GEO:51.051855;3.717477000000031
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 000\, België;X-APPLE-RADIUS=100;X-TITLE=Auditorium 14:geo:51.051855,3.717
 477000000031
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DTSTART:20181028T020000
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